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Showing posts with label acoustic. Show all posts
Showing posts with label acoustic. Show all posts

Friday, 24 June 2011

Epic45 - In All The Empty Houses

2009 | SHOEGAZE | POST ROCK | DREAM POP


Track Listing
 
1. We Were Never Here
2. Daylight Ghosts
3. In All The Empty Houses
4. The Future Is Blinding
5. Their Voices In The Rafters
6. Ghosts On Tape

✔ indicates track pick

Rating
 
★ ★ ★ ★ ☆

Review 

This is an album and a band that is almost impossible to review. However speaking about the emotions that rise and fall as one listens to this album is easier, as this album is nostalgia in an easily listenable audio form. While their previous release followed a slightly more positive tone, 'In All The Empty Houses' tackles themes such as loss, change and decay, showcasing a more mature and somber sound. It will take you back to the days when things were so much simpler, when you were young and the weight of the world had not yet placed itself upon your shoulders. It's all the pictures on the wall, it's the dreams that take you around the world and back every night. It's the first time you fell in love and it's the first time you had a broken heart. Epic45 have given birth to something truly magical in the form of six breathtaking songs, creating an atmospheric symphony each time with the simplest of melodies, while never getting carried away like so many bands of a similar nature tend to do. 

The instrumentation itself is certainty an unconventional, however thoroughly enjoyable mix. In a sense it's similar to many other more prominent post rock artists of the modern day, however the focus always remains on ambling along a gentle path instead of building up to a cacophony of noise. The music achieves this through a combination of soft acoustic melodies and laid back electronics. Using these sounds they cover a wide range of genres; 'Daylight Ghosts' and 'In The Empty Houses' being the prime example of the diverse ground covered. 'Daylight Ghosts' is an especially tough one to classify, with 'ambient stadium anthem' being the best terms that come to mind. Kicking off with a lively and happy sounding acoustic riff, strings and vocals slowly fade in along with a running bass riff that makes the song feel like it's been taken straight from U2's catalogue. However this will never be a song that makes it to the stadium arena; it's much too subtle, a suitable soundtrack for watching the sun rise over empty city streets.

On the other hand we have 'In The Empty Houses'. In a way it's the polar opposite of the previous track and would not feel out of place on Aphex Twin's 'Selected Ambient Works Vol II', Moby's 'Wait For Me' or anything from the Sigur Rós repertoire. It's got a laid back dreamy feel, and the  echoing guitar notes work hand in hand with the general ambiance; a complementary score to lying on lying on your back and staring up at the starry night sky. 'Their Voices In The Rafter' is another stellar composition and a truly haunting one at that, which needs to be watched with it's accompanying video for the more intimate experience. The band have outdone themselves here, and weaved memories among the music; overlaying sounds recorded many years ago from the village hall, where members of the band had birthday parties as children. It's a incredibly eeirie effect, taking you back to time that's long gone. As with much of the rest of the album, a gentle acoustic picked riff forms the backbones of the song and is accompanied by slow shuffling drums, mellow solos, strings, bass and even bells. It's certainly music with many layers, and the thick texture gives it a complexity that other bands need to use speed and fancy playing to achieve. But sometimes keeping it simple is what it takes and if you're a fan of laid back post rock, dreamy ambient pop and haunting heart felt melodies, then download the album and simply immerse yourself in the music and the journey it takes you on. 

Epic45 Is...
 
Ben Holton - Guitars, Keyboard
Rob Glover - Guitar, Bass
Matt Kelly - Guitar
Oli Grocott - Synths, Keyboard
Mark Oldfield - Drums, Percussion  

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Track 5. Their Voices In The Rafters

Band Links

Tuesday, 7 June 2011

Vienna Teng - Waking Hour

2002 | SOFT POP ROCK | ACOUSTIC


Track Listing
 
1. The Tower
2. Momentum 
3. Gravity
4. Daughter
5. Between
6. Say Uncle 
7. Drought
8. Enough To Go By
9. Unwritten Letter No. 1
10. Eric's Song
11. Soon Love Soon
12. Lullabye For A Stormy Night
13. Decade And One

✔ indicates track pick

Rating
 
★ ★ ★ ★ ★

Review 

Before I started this review I had to type out the track listing, upload the album cover, then choose what I thought were the track picks from the album. And I must say; never have I been faced with such a challenge. Even when I went back and listened to the album again from start to finish, it was a still a struggle to narrow it down to four, as this is such a brilliant album. Debut albums are a special thing; for everyone has a handful of good song ideas within them; and it's the first album where many of these surface. And this is one album overflowing with them. It's such a hard sound to describe, but so simple at the same time. Soft piano pop is probably the most appropriate terms to apply to it, but this isn't a just another Vanessa Carlton, it's more along the lines of Sarah McLachlan and even Enya dare I say it; with elements of chamber pop and even folk music thrown in. It's so much more gentle than most piano driven albums of a similar nature, so much less predictable and sounds much more suited to the world of film and television than the likes of modern pop radio.

Although Teng has gorgeous voice, it's very much her touchingly beautiful piano playing that drives this album. It's kept simple at all the time; most of the songs just feature gentle shuffling drums and sweeping piano melodies with lush strings to add to the texture. First song on the album 'The Tower' is the song for the radio if there had to be one. A catchy drum beat and piano riff kick off the song, which builds into the verse where we get the first taste of Teng's voice. Things get a bit more lively in the chorus with guitars thrown in, but it feels like it's meant to be there. That's another positive aspect of this album; it's got that real under produced sound, and it's such a raw album in that sense. It's just the music straight to your ears as played by the musicians, with no fancy effects thrown in. 'Momentum' and 'Daughter' are prime examples of this; it's just Teng and her piano. Her vocal dynamics keep things varied here; switching from a gentle whisper into soaring high hamornies. It's very much music to loose yourself in.

'Between' and 'Drought' also deserve a mention; as they are two beautiful piano driven ballads. 'Between' features acoustic guitars and tribal sounding drums, then progresses into a soaring chorus, which uses the same four chords that songwriters have been using for decades. However her warm harmonies and graceful piano work keep this formula from sounding repetive and dull; it's almost as if she pioneered it. 'Drought' is a song with a driving rhythm which fades in with a piano riff as memorable as it is haunting. It's a song for thought, that will tug at your heartstrings and bring a grown man to tears; listening to this the first time I felt like I was being serenaded by angels. Just when you've thought you've heard everything, along comes, "Enough To Go By" which is an upbeat country pop song. The album closes on a gentle note, with four delicate piano lullabies that will soothe you to sleep even when extreme insomnia strike. "Eric's Song" really stands out with heartfelt lyrics and soft vocal work; its easy to see why this is a fan favorite.

It's experiments within her genre that makes this an album that you can listen to continuously on repeat without ever tiring of it. Vienna Teng (born Cynthia Yih Shih) has a gift on the piano and on this album she's crafted thirteen stunning compositions that are guarenteed to leave you breathless. It's never going to make it to the radio for many reasons; too soft, too sad, too under produced and just too damn musically talented. However it's fairly safe to say that if falling in love had a soundtrack, with all the moments of sorrow and joy, happiness and sadness, tears and laughter, that this spectacular album would be it.  

The Musicians Are...
 
Vienna Teng - Vocals, Piano, Keyboards
Craig Wright - Drums
David Henry - Guitar, Cello, Bass
Eric Miller - Guitar, Synthesizer, Bass
Kim & Dave - Violin
  
Listen 


Track 7. Drought

Band Links

Wednesday, 25 May 2011

The White Room - White Room Music

2007 | ALTERNATIVE ROCK | ACOUSTIC
























Track Listing

1. Enemies Closer
2. Vicious Girl

3. Unbreakable
4. I Am No One

5. Nerve
6. Lover Number One
7. First Page
8. Figure 8
9. All There Is
10. Out Of My League
11. Halo
12. The Way That I Am


✔ indicates track pick
  
Rating

★ ★ ★ ★ ★

Review
 
I came across a two track sampler from this album purely by chance, in a small opportunity shop just off the side of a busy highway. It was tucked on a shelf in the back corner of the shop, between all the albums and singles that nobody wanted anymore. A few things made me buy it;  the cover was engaging, it was less than a million years old, but most importantly it was put out by Roadrunner Records. Now for those who don't know, Roadrunner is a label that primarily focuses on heavy metal bands, and with the exception of Nickelback they're home to many talented rockers such as Killswitch Engage, Trivium and Megadeath to name a few. So naturally I was expecting something of the same mold from 'The White Room', however I have never been so delighted to be wrong. In fact I enjoyed the two songs on the sampler, 'Vicious Girl' and 'Enemies Closer' so much that it prompted me into a long and hard search on the net to find the rest of the album. I ended up to my dismay having to use iTunes, as it was a hard album to track down, but it was money well  spent, as I enjoyed the whole album just as much as the sampler.

It's tough to attempt to describe this band. If The Goo Goo Dolls and AC/DC had a love child, I think it's safe to say that 'The White Room'  would be the result, although this band actually sounds nothing like either of them. It's an incredibly diverse album and sound, with a combination of acoustic pop ballads and hard rocking tracks. It's also very much a family band. Wheelchair bound Marc Collins fronts up the band on guitar, with sister Steph on drums and together they share the vocal duties. 'White Room Music' kicks off with two hard hitting numbers; the first being 'Enemies Closer', which starts with muted guitar and a pumping drum beat, before progressing into a rocking chorus. It's much the same with 'Vicious Girl', and the guitar riff that begins this song is guaranteed to have you banging your head, as it has such a nostalgic old style hard rock feel to it, that you just don't hear in music anymore. The chords themselves are kept simple, much like the formula so it doesn't take long for the listener to identify with the audible pleasure they're  experiencing. The drums are another high point of the album; they're kept simple, unlike some drummers who place fills everywhere. But they're still diverse, experimenting outside of the normal straight rock beat.

The album continues to delight as it progresses. Songs like 'Unbreakable' display a technique the band is fond of; acoustic chords and riffs to fill the verses and with distortion for the chorus, while 'I Am No One' almost takes the form of a rock ballad, with multiple harmonies in the chorus and a slower feel overall, with a guitar solo to cap it all off. 'Nerve' also deserves a mention. With a punk rock vibe, Steph gets to take lead vocals for the first time. Her voice is very much in the vein of Paramore and Flyleaf, and it was a wise choice to give her more of a forward role in this song, as her voice suits it perfectly. Then there's the other side of the band; the soft side. The best showcase of this is in the album's closer 'The Way I Am'. Normally I don't look too much into lyrics, but the wry reference to Marc's own situation is hard to miss; it's his message to the world that he accepts himself the way he is, and isn't about to let his disability become a hindrance to achieving his goals and dreams. Two beautiful picked acoustic riffs contrast each other through the introduction and into a positive sounding chourus. It's often said that the voices of siblings work well together, and it's certainly proven here, as Marc and Steph make this a beautiful duet, with gentle harmonies

It's a wonderful debut effort from some extremely talented songwriters. It's also easily marketable material and should have seen the band off to grander places. However most unfortunately 'The White Room' seems to have since dissolved and slipped into oblivion. The official website has closed down and physical copies of the album are now notoriously hard to track down. iTunes and Myspace remain as the only evidence that this band once existed. Hopefully they'll emerge again at some point in the future, as they showed great potential on this breathtaking debut album

The White Room Was...

Marc Collis - Guitars, Vocals
Steph Collis - Drums, Vocals
Ben Jarvis - Guitars
Barry Brauer - Bass


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Listen


Track 2. Vicious Girl 

Band Links

Myspace 
iTunes  

Tuesday, 17 May 2011

Tim Hockenberry & Tom Corwin - Mostly Dylan

2009 | SOFT POP ROCK | ACOUSTIC

Track Listing
 
1. Forever Young
2. One Too Many Mornings
3. The Times They A Changin'
4. Like A Rolling Stone 
5. You're Going To Make Me Lonesome When You Go
6. Mr. Tambourine Man
7. Two Steps Back
8. Boots Of Spanish Leather
9. My Back Pages 
10. Flirting With Disaster
11. Rainy Day Women
12. Tomorrow Is A Long Time

✔ indicates track pick

Rating
 
★ ★ ★ ★ ☆

Review 

Cover albums are always a difficult thing. It's a fine line to tread; to bring a personal touch to the music, however without altering the original artist's vision. It's the same principle as with the remakes of movies; the last thing anybody wants to see is a scene by scene remake. And to pick Bob Dylan of all artists to cover, meant the bar was set high from the start. It was ambitious project that the two musicians set out to undertake, but the result is something truly magical. 

It was an interesting but inspired choice to have Tim Hockenberry take the role of lead vocals; his voice is a far cry from Dylan's. I first came across him through his work with The Trans-Siberian Orchestra, where his mesmerizing voice just matched so well with the piano driven ballads the Orchestra are fond of. His sound is certainly unique. Picture if you will the low gravely tones of Louis Armstrong crossed with soft crooning of Rod Stewart and you'd have a fair idea of Hockenberry's voice. It's his voice that drives this album, however the production value is also particularly good, with laid back, minimalistic drums, gentle bells, pianos and dreamy guitars. It all blends into one warm sound, that's gentle on ears and soothing for the mind. 

Many of Dylan's classics are here, and it's Hockenberry and Corwin's treatment of Dylan's signature songs that make for a real treat. Such an example is found in Dylan's definitive anthem 'Like A Rolling Stone'; it's been stripped right back and slowed down to a cruisy, mellow rock ballad. While there's so much going on in the original version, here everything's been simplified; with the guitar playing basic chords and the focus being very much on the vocals. However it's on the real slow songs where this laid back approach works best. 'Boots Of Spanish Leather' conjures up images of slow dancing under a starlit sky, with echoing guitars and drawn out vocal lines. It's at times like this where Hockenberry's in his element, working every drop of emotion out of Dylan's lyrics and exploring a wide and diverse vocal range. 

This is an album for drifting into sleep, discovering first love and watching the sun set over the hill on long summer evenings. What a true Dylan fan would think of these interpretations of Dylan's works is unsure, however since I'm not a die-hard Dylan fan myself, when I listened to this I was judging it as a creation of it's own, and not comparing to how well it interpreted the originals. The matter of fact is that it's a brilliantly soothing album, and one that I'm going to still be enjoying for many months from now.

The Musicians Are...
 
Tim Hockenberry - Vocals
Tom Corwin - Instruments
(A wide variety of musicians were

featured on this album, too
many to list here)
  
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*Password: iZm420

Listen 

Track 2. One Too Many Mornings

Band Links