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On this page I'll be aiming to introduce you to what I believe are some true treasures in the world of music. Hopefully you'll find your next favorite artist here, with my focus being on the quality of the music rather than quantity. Select a genre you enjoy from the sidebar to get started or hit the 'View Random Post' button below to discover something unfamiliar. You can also request reviews and uploads in the above links.

Disclaimer: I do not host any of the downloadable content featured on this site. All links refer to compressed files on various file-sharing sites, where other individuals have uploaded the content. All links were found through a Google web search, so if you've got a problem with any of the content, take it up with Google for listing it in the first place. This blog is about the promotion, not the piracy of music. If you like the music, delete the album after giving it a listen, then support the band and buy the album and merch.
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Friday, 24 June 2011

Epic45 - In All The Empty Houses

2009 | SHOEGAZE | POST ROCK | DREAM POP


Track Listing
 
1. We Were Never Here
2. Daylight Ghosts
3. In All The Empty Houses
4. The Future Is Blinding
5. Their Voices In The Rafters
6. Ghosts On Tape

✔ indicates track pick

Rating
 
★ ★ ★ ★ ☆

Review 

This is an album and a band that is almost impossible to review. However speaking about the emotions that rise and fall as one listens to this album is easier, as this album is nostalgia in an easily listenable audio form. While their previous release followed a slightly more positive tone, 'In All The Empty Houses' tackles themes such as loss, change and decay, showcasing a more mature and somber sound. It will take you back to the days when things were so much simpler, when you were young and the weight of the world had not yet placed itself upon your shoulders. It's all the pictures on the wall, it's the dreams that take you around the world and back every night. It's the first time you fell in love and it's the first time you had a broken heart. Epic45 have given birth to something truly magical in the form of six breathtaking songs, creating an atmospheric symphony each time with the simplest of melodies, while never getting carried away like so many bands of a similar nature tend to do. 

The instrumentation itself is certainty an unconventional, however thoroughly enjoyable mix. In a sense it's similar to many other more prominent post rock artists of the modern day, however the focus always remains on ambling along a gentle path instead of building up to a cacophony of noise. The music achieves this through a combination of soft acoustic melodies and laid back electronics. Using these sounds they cover a wide range of genres; 'Daylight Ghosts' and 'In The Empty Houses' being the prime example of the diverse ground covered. 'Daylight Ghosts' is an especially tough one to classify, with 'ambient stadium anthem' being the best terms that come to mind. Kicking off with a lively and happy sounding acoustic riff, strings and vocals slowly fade in along with a running bass riff that makes the song feel like it's been taken straight from U2's catalogue. However this will never be a song that makes it to the stadium arena; it's much too subtle, a suitable soundtrack for watching the sun rise over empty city streets.

On the other hand we have 'In The Empty Houses'. In a way it's the polar opposite of the previous track and would not feel out of place on Aphex Twin's 'Selected Ambient Works Vol II', Moby's 'Wait For Me' or anything from the Sigur Rós repertoire. It's got a laid back dreamy feel, and the  echoing guitar notes work hand in hand with the general ambiance; a complementary score to lying on lying on your back and staring up at the starry night sky. 'Their Voices In The Rafter' is another stellar composition and a truly haunting one at that, which needs to be watched with it's accompanying video for the more intimate experience. The band have outdone themselves here, and weaved memories among the music; overlaying sounds recorded many years ago from the village hall, where members of the band had birthday parties as children. It's a incredibly eeirie effect, taking you back to time that's long gone. As with much of the rest of the album, a gentle acoustic picked riff forms the backbones of the song and is accompanied by slow shuffling drums, mellow solos, strings, bass and even bells. It's certainly music with many layers, and the thick texture gives it a complexity that other bands need to use speed and fancy playing to achieve. But sometimes keeping it simple is what it takes and if you're a fan of laid back post rock, dreamy ambient pop and haunting heart felt melodies, then download the album and simply immerse yourself in the music and the journey it takes you on. 

Epic45 Is...
 
Ben Holton - Guitars, Keyboard
Rob Glover - Guitar, Bass
Matt Kelly - Guitar
Oli Grocott - Synths, Keyboard
Mark Oldfield - Drums, Percussion  

Download
   
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Track 5. Their Voices In The Rafters

Band Links

Tuesday, 21 June 2011

Fail Emotions - Transfornation

2010 | TRANCECORE | HARDCORE | METALCORE


Track Listing
 
1. Intro (Teleportation)
2. Suit & Tie
3. Shades
4. Wasted
5. Makes Bad
6. Satellite 
7. Crossed Borderline
8. Dance Macabre
9. In The Mix (Electronic Trancestep Melody)
10. Trancefornation Part. 1
11. Trancefornation Part. 2

✔ indicates track pick

Rating
 
★ ★ ★ ★ ★

Review 

Walk into a room and mention the term 'Trancecore'. There's almost no doubt that this will bring you a few collective groans; and they're certainly justified. If you've been living under a rock for the past five years and have no idea what I'm talking about, then I'll do my best to elaborate. Trancecore is a relatively new trend which has recently exploded into the mainstream, with acts such as 'Enter Shikari' and 'Asking Alexandria' leaping up the music charts. The basic concept is the combination of hardcore and metalcore music coupled with electronic elements, with the intention of appealing to both the metal heads and the clubbers. It's an innovative idea and while a couple of bands manage to pull it off with style, the talented acts are simply swamped by the number of repetive and dull musicians who are invading the scene and sucking the life out of the concept. High pitched auto-tuned vocals, chugging guitar rhythms and stale breakdowns; remove the electronics and you've just got yourself another post hardcore band filled with angst ridden teenagers trying to make it big. However disregard everything I've just said. 'Fail Emotions' are nothing like these bands. In fact they're like nothing you've ever heard before.

'Fail Emotions' are a Russian six piece band and I honestly believe they're the first true Trancecore artist, the first artist to craft the music that the genre name suggests. Their band page description reads across in comically broken English; "the band is rapidly gaining momentum and rushing forwards to the new tops". However they're certainly wise for attempting to reach out to an English speaking audience, as their location is the largest drawback that's keeping this band from becoming widespread, alongside their American counterparts. The reason that Fail Emotions stands out from the crowd is their consideration for both sides of the style; making sure there's a balance between the trance and hardcore aspects, rather than simply being a hardcore band with some crappy trance thrown in. As well as finding the perfect levels between both, they also explore a more technical side within both sub-genres. The instrumental opener, appropriately titled 'Intro' demonstrates this perfectly; rather than just ambient noise as with many album openers, this stands on its own as a proper song. Playful trance melodies escalate the tension for the first two minutes, before the pounding guitars and drums kick in. The drummer keeps the double kickers running while the electronics always remain center stage, backed by heavy guitar chords and climaxing with a crushingly brutal breakdown. And the album has hardly begun.

'Suit & Tie' and follows, and this is where we get the first look at the band's signature sound. A pulsating synth riff plays off against the hard hitting drums and guitar chords. Instead of following the song patterns of a hardcore song, it takes on more of a feel of a trance anthem. Soon after the clean auto-tuned voice enters, followed by a breakdown just before the minute mark, where we get the first taste of the screamed vocals. Personally I feel the clean vocals are nothing above anything else in the scene; they're certainly good but once a voice is auto-tuned it looses a lot of the individual characteristics in the sound that would usually vary from singer to singer. But don't let this put you off; the screams are certainly up to standard, and I'd listen to this band simply for the music alone. 'Wasted' is another album highlight among many; it's the pop song of the album. It's simply the contrast of dynamics that makes this song so powerful; opening soft and with mellow electronic verses, so when the infectiously catchy chorus comes along, it hits even harder. This is one of the songs where the auto-tuned vocals work so well, exploring a wide dynamic range and meshing perfectly with the gentle verses and powerful chorus.

In fact I could write a section full of praise on every song in this album if I wanted to. It's a brilliant creation from start to finish. It's also got such a brilliant overall sound production wise, with everything sounding heavy and large and featuring some top notch quality synths. What's even more amazing is the fact that the band produced and mixed this album themselves, crafting a better sound than you'll hear from most of the mainstream hardcore acts today. I used to think this was a dead genre, but after listening to this band my faith is renewed. Viva la Trancecore!

Fail Emotions Is... 

Pavel Mayorov - Clean Vocals
Vlad Akimov - Screamed Vocals
Ilya Fatal - Guitar, Electronics
Kiril Yurtaikin - Bass
Ilya Korneinkov - Guitar
Roman Brizgunov - Drums


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Listen


Track 5. Makes Bad 

Band Links

Tuesday, 7 June 2011

Vienna Teng - Waking Hour

2002 | SOFT POP ROCK | ACOUSTIC


Track Listing
 
1. The Tower
2. Momentum 
3. Gravity
4. Daughter
5. Between
6. Say Uncle 
7. Drought
8. Enough To Go By
9. Unwritten Letter No. 1
10. Eric's Song
11. Soon Love Soon
12. Lullabye For A Stormy Night
13. Decade And One

✔ indicates track pick

Rating
 
★ ★ ★ ★ ★

Review 

Before I started this review I had to type out the track listing, upload the album cover, then choose what I thought were the track picks from the album. And I must say; never have I been faced with such a challenge. Even when I went back and listened to the album again from start to finish, it was a still a struggle to narrow it down to four, as this is such a brilliant album. Debut albums are a special thing; for everyone has a handful of good song ideas within them; and it's the first album where many of these surface. And this is one album overflowing with them. It's such a hard sound to describe, but so simple at the same time. Soft piano pop is probably the most appropriate terms to apply to it, but this isn't a just another Vanessa Carlton, it's more along the lines of Sarah McLachlan and even Enya dare I say it; with elements of chamber pop and even folk music thrown in. It's so much more gentle than most piano driven albums of a similar nature, so much less predictable and sounds much more suited to the world of film and television than the likes of modern pop radio.

Although Teng has gorgeous voice, it's very much her touchingly beautiful piano playing that drives this album. It's kept simple at all the time; most of the songs just feature gentle shuffling drums and sweeping piano melodies with lush strings to add to the texture. First song on the album 'The Tower' is the song for the radio if there had to be one. A catchy drum beat and piano riff kick off the song, which builds into the verse where we get the first taste of Teng's voice. Things get a bit more lively in the chorus with guitars thrown in, but it feels like it's meant to be there. That's another positive aspect of this album; it's got that real under produced sound, and it's such a raw album in that sense. It's just the music straight to your ears as played by the musicians, with no fancy effects thrown in. 'Momentum' and 'Daughter' are prime examples of this; it's just Teng and her piano. Her vocal dynamics keep things varied here; switching from a gentle whisper into soaring high hamornies. It's very much music to loose yourself in.

'Between' and 'Drought' also deserve a mention; as they are two beautiful piano driven ballads. 'Between' features acoustic guitars and tribal sounding drums, then progresses into a soaring chorus, which uses the same four chords that songwriters have been using for decades. However her warm harmonies and graceful piano work keep this formula from sounding repetive and dull; it's almost as if she pioneered it. 'Drought' is a song with a driving rhythm which fades in with a piano riff as memorable as it is haunting. It's a song for thought, that will tug at your heartstrings and bring a grown man to tears; listening to this the first time I felt like I was being serenaded by angels. Just when you've thought you've heard everything, along comes, "Enough To Go By" which is an upbeat country pop song. The album closes on a gentle note, with four delicate piano lullabies that will soothe you to sleep even when extreme insomnia strike. "Eric's Song" really stands out with heartfelt lyrics and soft vocal work; its easy to see why this is a fan favorite.

It's experiments within her genre that makes this an album that you can listen to continuously on repeat without ever tiring of it. Vienna Teng (born Cynthia Yih Shih) has a gift on the piano and on this album she's crafted thirteen stunning compositions that are guarenteed to leave you breathless. It's never going to make it to the radio for many reasons; too soft, too sad, too under produced and just too damn musically talented. However it's fairly safe to say that if falling in love had a soundtrack, with all the moments of sorrow and joy, happiness and sadness, tears and laughter, that this spectacular album would be it.  

The Musicians Are...
 
Vienna Teng - Vocals, Piano, Keyboards
Craig Wright - Drums
David Henry - Guitar, Cello, Bass
Eric Miller - Guitar, Synthesizer, Bass
Kim & Dave - Violin
  
Listen 


Track 7. Drought

Band Links